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Wooden Spoon Michael Rakowitz Fourth Plinth

Online Exclusive

$18

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Wooden Spoon Michael Rakowitz Fourth Plinth image
Wooden Spoon Michael Rakowitz Fourth Plinth image
Wooden Spoon Michael Rakowitz Fourth Plinth image
Wooden Spoon Michael Rakowitz Fourth Plinth image

Wooden Spoon Michael Rakowitz Fourth Plinth

Online Exclusive

$18

Michael Rakowitz’s new work, The Invisible Enemy Should Not Exist was unveiled on the Fourth Plinth in London’s Trafalgar Square, 28 March 2018. To celebrate the occasion, Plinth have worked with Rakowitz to produce a new limited edition and a range of products, including this wooden spoon with a laser etching, inspired by the artist's interest in themes of food and hospitality as a means by which to bridge cultural and political divides and the Arabic proverb: A House With A Date Palm Will Never Starve.
Hand Wash Only.
  • Tracked delivery to home or work, direct from the designer
  • Free returns within 14 days, collection arranged by us

  • Extended Xmas returns for exchange or credit until 7 Jan
  • Last orders for Xmas delivery by 16 Dec

  • Price match guarantee
  • If you find an item cheaper anywhere else we will match the price.

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Meet The Designer

We design, make and sell merchandise and limited editions with leading cultural figures – from Turner Prize winners to world-renowned photographers. Since launching in February 2016, Plinth has undertaken projects with The Fourth Plinth (The Mayor of London), Ikon Gallery, Magnum Photos, The Wellcome Collection and artists such as Cornelia Parker, David Shrigley and Richard Deacon. Many of our editions and products are created for the home – a pure wool blanket from Julian Opie, a trio of plates by Michael Craig-Martin – but everything we make is designed with a philosophy in mind. We aim to make it easy for people to incorporate art and design into everyday life, and to participate in the cultural landscape of London with affordable products like mugs, badges, t-shirts, tote bags and more. We’re interested in art and design within the wider context of social, political and cultural events – as direct response, as antidote, autonomous or in dialogue. We believe that art becomes more imperative than ever during times of change and crisis, and we want to encourage as many people as possible to engage with it as something pleasurable and/or cathartic. We’re aware of the barriers, cultural, socio-economic and personal, which make the ‘art world’ feel hard to access for many people, and we’re keen to challenge both its established audience and the status quo. We interrogate the barriers between different spheres of creativity, propelled by the conviction that industries like art, music, film and fashion have far more in common than they do to separate them. ‘Art’, in any of these incarnations, can be enjoyed for its own sake – or as a means by which to understand the world we live in.

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